“Autumn Light”.
Oil on Panel
Michele Rofrano
$425.
10” x 8”
Mahogany Finish Frame measuring 15” x 13”.

“Bee Home”.
Oil on Panel.
Michele Rofrano.
$425.
10” x 8”.
Mahogany Finish Frame measuring 15”x13″.

“Motif #1 oblique view”.
Oil.
Dave Turbide.
$250.
15 x 19, in mahogany frame (image size 11×14).
This red building in the middle of Rockport (Massachusetts) harbor, with its colorful lobster buoys contrasting with the red painted, weathering, board-and-batt siding, has probably been painted and photographed as much as any building or scene in the country over many, many years. Yet, seldom is this iconic structure viewed other than from straight-on across the harbor. I have painted it straight-on as well, I’ll admit, but I find this image much more interesting and satisfying. The angled view emphasizes the geometry and depth of the view while focusing on the buoys without the distraction of the boats and harbor in the foreground as it is in the straight-on view. Can you smell the salt air?… hear the boats puttering into and out of the harbor? Have a sudden craving for a lobster roll? I do.

“Edgartown Dory”.
Oil.
Dave Turbide.
$225.
15″ x 19″, in mahogany frame (image size 11×14).
I love the ocean, boats, weathered shacks, fishing villages… Scenes like this one speak to me of the romance of the sea and also the work, care, and pride of the fishermen, lobstermen and others who make their living in New England waters. Walking around fishing towns like Edgartown on Martha’s Vineyard, is inspiring, humbling, and altogether wonderful. Painting a picture like this one helps seal in the memories of that special day and bring a yearning for the next time I have the opportunity to walk those shores, rocks and piers again. Meanwhile, let’s just look at the paining and think good thoughts of the sea.

“Old Oak by the River”.
Wool Fiber Art.
Christine Blomquist.
$225.
11×14 deep copper frame with off white double mat.
There’s nothing like hiking into the woods and sitting under an old oak by the river.

“Runnymede”.
Oil on canvas.
Debra Woodward.
$350.
11×14/13×16 w/flat black frame.
Painted from one of the many photos I took over the years at the iconic Runnymede Farm in North Hampton when it was still a thoroughbred farm. It was known for the many racing winners, including Mom’s Command and Dancer’s Image. I do miss seeing horses there and hope to again one day soon.

“Twin Moose Calves”.
Photograph on metallic luster paper.
Dennis Skillman.
$195.
“17” x 11″ print with black metal frame and off white mat.
Overall dimensions 22″ x 16″.
Photographed in the Chic-Choc Mountains on the Gapse Peninsula, Quebec”.

“Sharp-shinned Hawk”.
Photograph on metallic luster paper.
Dennis Skillman.
$195.
“17” x 11″ print with black metal frame and off white mat.
Overall dimensions 22″ x 16″.
This photograph was taken in the early morning at Salisbury State Park in Massachusetts. This was recently published in Nature Photographer magazine.

“Storm Beauty”.
Oil on stretched canvas – sides painted.
Laurie Hartley.
$325.
20″ x 20″.

“Glowing Passage”.
Oil on stretched canvas – sides painted.
Laurie Hartley.
$325.
20″ x 20″.

“Pemaquid Light”.
Watercolor.
Annalee Mack.
$115.
10″ x 12″.
Framed in a narrow matte gold frame.
This is a beautiful spot to visit if you are in the Boothbay Maine area.

“Hampton Marsh”.
Watercolor.
Annalee Mack.
$115.
10″ x 12″.
Framed in a narrow matte gold frame.
Painted on location on the Hampton marshes looking towards the ocean.

“Morning Walk”.
Oil.
Sue Hennigan.
$375.
This 12×9 artwork is framed in a beautiful dark wood Museum pleinair frame with gold toned lip. Outside dimensions are 18.5 x15.5 inches.
This artwork was inspired by a past pleinair outing. While setting up to paint, a woman and her dog happened to walk past and up the mowed path on the Hamilton House grounds. Kismet. I loved the sun beaming down on the path and them.

“Windswept”.
Oil.
Sue Hennigan.
$375.
This 12×9 artwork is framed in a beautiful dark wood Museum pleinair frame with gold toned lip. Outside dimensions 18.5 x 15.5 inches.
This tree was painted after a visit to Burnt island , Maine. It was discovered on a walk On a beautiful summer day. It’s stand alone magnificence , with a slight bend forward, at the mercy of the wind spoke to me.

“Foggy Morning at Little Boar’s Head”.
Oil on canvas.
Debra Woodward.
$300.
11×14/13×16 w/flat black frame.
Another iconic North Hampton scene of the fish houses and garden along the Little Boar’s Head Seaside Trail. Built at least as early as 1804 the fishhouses were used by fishermen to store their dories, lobster traps and nets. Many were rebuilt and modified as summer residences later. The dirt and gravel path that passes just in front of the fishhouses must remain open to the public by law, because it is the old “King’s Highway.” It is a beautiful walk.

“Lines, Squares & Shadows”.
Cedar Keys, Florida.
Photograph.
Pat Boyd-Robertson.
$80.
20″ X 13″.

“Sunshine & Shadows”.
Cedar Keys, Florida.
Photograph.
Pat Boyd-Robertson.
$80.
20″ X 13″.

“Impressions”.
Monotype on Washi Paper.
Annick Bouvron Gromek.
$275.
This monotype was produced by using Grasses from my garden, doing multiple pressing using Charbonnel etching inks on Washi handmade Japanese paper. In addition another plate was painted to be used as a background placed behind the first layer to achieve the depth and show the texture of the paper
The plate is 14X14 framed and matted to a final 20X20size with Archival mat board and a narrow black Nielsen frame.

“Fall Birches”.
Monotype on Washi Paper.
Annick Bouvron-Gromek.
$275.
This monotype was produced using the additives method, painting a scene on a Plexiglas Grasses using Charbonnel etching inks on Washi handmade Japanese paper.In addition another plate was painted to be used as a background placed behind the first layer to achieve the depth and show the texture of the paper
The plate is 14X14 framed and matted to a final 20X20size with Archival mat board and a narrow black Nielsen frame.