Martin Lamont 

Vicarious Dreams 

As a person who has struggled on and off throughout my life with Agoraphobia and Anxiety, the idea of traveling to other countries again is reduced to hopes and wishes. To see again those places and those birds within my paintings that are only seen in the UK and Europe, is just a dream now. My paintings are a vicarious endeavor to “experience” them again, escapism from my disabling reality while “jailed” in my home, and therefore, the theme of my show is “Vicarious Dreams”.

I’m a self-taught artist inspired mainly by the works of the Impressionists.  All my life, I was a follower of the visual arts, admiring the great works in museums and galleries around the world, during personal and business travels.  As a retired Mechanical Engineer from England, the career long pursuit of perfection and accuracy within my Engineering work seems so ingrained that I find myself trying too hard in my painting to achieve a sense of realism. I therefore would describe myself as either a realist impressionist or an impressionist realist. 

Until I retired, I had always wanted to give oil painting a try but was always too busy with life. Now, since attempting my first oil painting in July 2021, I haven’t looked back and find myself addicted to the creative process, spending many hours every week at my easels.

Angela Branon                                 

Coastal Memories

My family immigrated to the US when I was five years old. I became intrigued with
exploring family history through my art while looking at old family photos.
One of my fondest memories was the long drive from my central Massachusetts home
to the coast of New Hampshire to spend a day at the beach.
The draw of the beach continues to be one of life’s pleasures to this day. I have
explored coasts from the US, Canada, the Caribbean, Europe and Africa with family
and close friends. There is just something about the tidal rhythms and the sound of
lapping waves that never fails to calm and relax. It’s no surprise I chose to retire to the
New Hampshire coast.
These paintings represent memories of family, friends and moments of serenity that is
unique to time spent on the beach. But the ocean can also represent a powerful force
of nature as seen after a nor’easter crashes through in all her majesty.

“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

TS Eliot

 Natasha Dikarena    

Wishing You Blue Sky

As I submerge in the stories and struggles currently unfolding from my motherland Ukraine, I feel determined to create sculptures that serve as symbols of hope, resilience, and unity. Each piece embodies a longing for a peaceful scene, where the clouds of war disperse, revealing a serene and boundless blue sky. Hands serve as symbols of healing from the wounds of war, both physical and emotional. Birds remind us that even in the face of disaster, there is always the possibility of renewal and the arrival of good tidings. The all-seeing eyes incorporated into hands and birds watch over us, representing wisdom and protection. These eyes remind us that we are never alone in our pursuit of healing, as they guide us towards a brighter future. This exhibition is an homage to the incredible resilience of my fellow Ukrainians and a tribute to the power of compassion during difficult times. Through my art, I hope to not only shed light on the ongoing war in Ukraine but also to highlight the strength and beauty that persist amidst the turmoil. I hope that one day, our collective dreams for a peaceful future will be realized, and we will bask under the embrace of a radiant blue sky.

Janice Leahy                                  

In Somnis Veritas:  In Dreams There is Truth

I wanted to be different, a bit of a non-conformist.  I like edgy art; I’m not attached to any one
particular theme. Therefore, my work is a mixed bag of this and that. I’m attracted to bold
colors, working with profiles or abandoned buildings; interior and exterior. There is something
that makes one look deeper at those images.  I consider this my darker contemporary phase. 
I’ve been drawing and painting since I was a child.  I studied business in college for economic
purposes (though I was accepted at two art colleges).  I did take the one-off class for art in
addition to business class but never completed any art degree.
​My work has been shown at NE Galleries.  I am a member of the Seacoast Art Association in
Exeter, NH, the Nashua Art Association in Nashua, NH and the Salem Art Association in Salem,
MA.  My work was published in the Apero Fine Art Catalogue (Oct. 2018).
Grief took over when I lost my spouse in 2019 and son in 2020.  I switched my primary medium
from Oil to Acrylic. Both losses have been difficult but also inspirational to me through my faith.
I am thankful for every day I breathe.  I believe my works reflect that.

Dave Turbide     

Capturing the Dunes: An Everchanging Vista

“I love to walk on the beach early in the morning and late in the afternoon when erosion control fences (we used to call them snow fences), dunes and plant life create an ever-changing vista and unique visual images to photograph and later paint.

“I’ve painted enough sand dunes and erosion control fences to run out of clever names, so now I merely number them. I have long been intrigued by the movement of sand along the beach over time as wind and waves conspire to create infinitely varied patterns and configurations. The fences contribute to that evolution by interrupting the smooth wind currents creating more swirls and hills (dunes). Then the sea grass takes root, providing more swirls and capturing individual grains into micro-dunes. Finally, in early morning and late afternoon the sun provides the lighting that brings all this motion into view. And it is always changing. One can visit the same spot, day after day and at various times of day, and enjoy natures continually changing artwork.” 

Dave started painting with watercolors when he was about 60 and learned much about painting from Doris Rice workshops here at SAA.   A week-long “intensive” class with Todd Bonita in 2019 added oils to Dave’s repertoire. The transition to acrylics occurred naturally from there.

Linn Stilwell                                  

Naturally Curious:  The Character of Wildlife

When I was photographing wildlife, my goal was to get a really well-composed photo with enough detail that you really felt you were viewing the special attributes of a particular animal or bird.  As I began to paint wildlife, I became much more interested in providing a view into their character, so moved from wanting to record a particular animal or bird to delving into their character on another level. See them toss their heads, preen feathers, curl their furry tails right around and over a cold nose, and you will know that is what life is like for them.

As a painter I have an ability to entice the viewer to look at a painting on another level, to gaze into the eyes of a bird, to detect the shift of feathers, the vapor coming off the back of a sheep in the morning air, to note that an owl stands firm in a storm torn landscape despite being threatened.

These things are important to us as we humans try to do what we can for the environment and for one another despite being threatened by storms. These images were chosen especially for this show to bring out your curiosity, just as mine has been enlivened, and look deeper into the natural world.

Marcia Trahan
Taking the Long View

For as long as I have been painting, landscapes and big skies have drawn me in. I may set out to create a scene with a closer horizon, but inevitably the question of what’s beyond that hill, field, or tree intrigues both me and my paintbrush and off we go to find out.

As a native New Englander and recent transplant to New Hampshire my heart and mind are full of beautiful images and lovely palettes with which to experiment. Many of my paintings begin with a reference photo or sketch of a scene and then morph into something imagined or intuited. My preference is to work in oil as I love the richness, depth of color and versatility I find in this medium.  I’m mostly self-taught, but have taken classes with Amy Brnger, Kathleen Robbins, and Erin Spencer of late. Having such an inspiring arts community on the Seacoast has brightened many a day and helped me meet the challenges of these last several years with a sense of purpose and optimism.

Whether I’m painting in my home studio space or attempting to capture a moment in plein air, for me, the unique characteristics of each brush stroke and mix of color present both challenges and satisfactions in equal measure.

Ellen Kingsbury
Nothing But Blue Skies

I am a life-long hiker, skier and tennis player who loves being outside in all kinds of weather. As I have learned and enjoyed making art, I have especially enjoyed painting and collaging skies, clouds and the light. This show highlights my recent work here I have spent time in Plein Air as well as working with cut paper and collage.

I have been drawing and painting for 15 years and have studied with many teachers over the years. I don’t make any one kind of art. I have loved drawing the figure and have been in figure drawing groups for 10+ years. 
I love working in encaustic and once set up my garage with all the equipment needed to make encaustic paintings.  I have enjoyed collage and have bags of printed papers in boxes with scissors and glue. There are some times when I paint sharp edges with acrylics and other times when I use loose washes of watercolor for an abstract piece. I love printing with Gelli plates and creating funky designs for collage or a get-well card for a friend.
I’m not sure if the journey will end with expertise in representational art or whether I’ll make a big name for myself in abstract expressionism, but I know that along the way I’m having a ball!